Common Examples of Figurative Language in Poetry
Figurative language is a way of phrasing or wording that intentionally deviates from the literal meaning. In a sense, it aims to go beyond definition to become subject to interpretation. It’s an essential part of creative writing, which is why a figurative language poem or figures of speech are part and parcel of poetry.
Think of it as a boost that gives creative writing more meaning, depth, and feeling. If you look at figurative language in a poem or story, you will notice that figurative speech gives it more life and makes it more special.
Here are some of the most common examples of figurative language that you will find in poems:
A simile compares two things to each other with the use of the comparative words “like” and “as.” Expressions like “bright as the sun” and “run like the wind” are popular examples of Simile. Notice how Robert Burns uses Simile in this excerpt of A Red, Red Rose:
O my Luve is like a red, red rose
That’s newly sprung in June;
O my Luve is like the melody
That’s sweetly played in tune
In the first line, he compares his love to a red rose. On the third line, he does the same, comparing his love to the melody. Of course, it would not pass logic to liken a person to a flower or a song in its literal sense. However, symbolically, it evokes the poet’s adoration to his subject by comparing them to pleasant things.
A metaphor in a figurative language poem connotes one thing as another. Unlike Simile, it does not use “like” or “as” to compare two things. Take a look at this verse from Emily Dickinson’s Hope Is The Thing With Feathers to see it in action:
“Hope” is the thing with feathers
That perches in the soul
And sings the tune without the words
And never stops at all
If you noticed, she describes the word “hope” as one would a bird. You may also notice that there are no words that indicate comparison. Instead of saying that hope is like a bird, or that hope is like something with feathers, she directly describes it as a bird.
On top of that, you will notice that the lines following the metaphor continue to make bird-like descriptions. As a result, this figurative language poem is considered as an extended metaphor.
Personification is imbuing human-like attributes to nonliving or nonhuman objects. J. Patrick Lewis’s Mister Sun is a great example of this.
Mister Sun wakes up at dawn,
Puts his golden slippers on,
Climbs the summer sky at noon,
Trading places with the moon.
You can see how Lewis describes the sun’s activity as one would describe a person’s activity throughout the day. In a logical sense, the sun does not wake up. It does not put on slippers, and so on and so forth.
However, in a figurative sense, the way he describes the sun’s activities is similar to how it rises in the morning, is high up in the sky at noon, and sets in the evening before the moon appears.
A hyperbole is an exaggeration. It creates an effect that aims to magnify a point or emotion in a piece of writing. In everyday communication, you may hear phrases like “I could do this forever” or “that bag must have cost a fortune.” In a figurative language poem, it could appear like this:
Oh, I’m Dirty Dan, the world’s dirtiest man,
I have never taken a shower.
I can’t see my shirt—it’s so covered in dirt,
And my ears have enough to grow flowers.
Throughout the poem, it is quite apparent, especially if you look at the line where it says that his ears have enough dirt in them to grow flowers. Logically speaking, it is far from possible for a person to maintain enough dirt in their ears to grow flowers, but the hyperbole serves to convey just how dirty Dan is.
This poem by Shel Silverstein makes exaggerations to describe just how dirty Dirty Dan is. At the end of the poem, the reader gets a picture and a feel of just how filthy the character is by the exaggerations.
If a hyperbole aims to exaggerate, an understatement does the exact opposite. It serves to downplay or undermine the significance or qualities of a situation. Saying things like “It’s just like an ant bite”, or “It’s just a scratch” when pertaining to a deep wound or a serious injury is a good example. Another would be this figurative language poem:
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
This poem, Ice and Fire by Robert Frost talks about the end of the world. However, he uses understatement to discuss it almost nonchalantly. It feels as if it was no big deal to choose between two options regarding the world’s destruction.
Irony happens when what is said directly contradicts what is meant. Exclaiming “Great!” or “how wonderful!” if your car broke down or if you spilled coffee on your white shirt is a strong everyday example of irony.
In a figurative language poem, it would look something like this line from Shakespeare’s Julius Caesar:
But Brutus says he was ambitious;
And Brutus is an honourable man.
In these lines, Mark Anthony appears to praise Brutus after assassinating Julius Caesar. However, that is the complete opposite of what he meant in the situation. In a way, he is implying that he is neither ambitious nor honorable.
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